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    Under The Blinding Lights: Saint Laurent FW2027

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Music

ArtsCultureMusic

The Art of the Interview with Sylvie Simmons

Music journalist and performer Sylvie Simmons has seen it all. From interviewing legends like Michael Jackson and Johnny Cash to...
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Album ReviewCultureMusic

This Music Did Contain Hope

Set the scene, an autobiographical album in the style of a musical, filling me with every emotion, including hope. Orchestral...
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Album ReviewCultureMusic

American Gospel: Ethel Cain’s Two-Act Tragedy, One Year Later

There is a particular kind of grief that comes with watching a story end exactly the way it was always going to end. Not a twist, not a rug-pull, just the slow, inevitable click of a door closing on something you knew, from the first note, was never built to...
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ArtsCultureMusicOp-EdOpinion

Lorde’s Virgin: The Album That Finally Stops Pretending

For a decade, Lorde has been circling the idea of sincerity. First, as a precocious teen dissecting the culture at...
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CultureMusic

NCT Without Mark: The Unimaginable Becomes Real

“It’s like when Zayn left One Direction.” “It’s like if SpongeBob left the Krusty Krab.” “It’s like when Jesus left...
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CultureMusicOpinion

Skipping Artistic Integrity and Shuffling Aesthetics: The Post-Capitalism Evolution of Album Covers

In an era where the line between art and commerce blurs, the music industry has found a new avenue for profit: the ever-evolving album cover. Once a static representation of an artist’s vision, album covers have become dynamic commodities, subject to change and re-release, often at the expense of the...
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ArtsCultureMusicOpinion

Phoebe Bridgers: Anyway, Don’t Be A Stranger

It’s about 9:08am on Monday, May 18th. I’m sitting in my graphic design class, and I get a text from...
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BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

CultureExclusiveFashionThe Go-Between Issue

More Than Just a Resale Rack

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

Recent Posts

  • Under The Blinding Lights: Saint Laurent FW2027
  • The Power of the People: Matieres Fecales SS27
  • Run Free
  • American Gospel: Ethel Cain’s Two-Act Tragedy, One Year Later
  • Filtered Illusions 

© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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