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Music

Album ReviewCultureMusic

This Music Did Contain Hope

Set the scene, an autobiographical album in the style of a musical, filling me with every emotion, including hope. Orchestral...
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CultureMusicOpinion

Skipping Artistic Integrity and Shuffling Aesthetics: The Post-Capitalism Evolution of Album Covers

In an era where the line between art and commerce blurs, the music industry has found a new avenue for...
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CultureMusic

The Mac Miller Needle Drop

Eight years after losing Malcolm McCormick on September 7, 2018, his absence is a distinctive heavy chest ache of the rap community. Yet, somehow, he is still reaching out from another hemisphere to shake the world and industry. We are witnessing something entirely unprecedented: Mac Miller is tearing up the...
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ArtsCultureMusic

The Art of the Interview with Sylvie Simmons

Music journalist and performer Sylvie Simmons has seen it all. From interviewing legends like Michael Jackson and Johnny Cash to...
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CultureMusic

NCT Without Mark: The Unimaginable Becomes Real

“It’s like when Zayn left One Direction.” “It’s like if SpongeBob left the Krusty Krab.” “It’s like when Jesus left...
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ArtsCultureMusicOp-EdOpinion

Lorde’s Virgin: The Album That Finally Stops Pretending

For a decade, Lorde has been circling the idea of sincerity. First, as a precocious teen dissecting the culture at large (Pure Heroine), then as a messy city girl (Melodrama), and later, as a beachside philosopher (Solar Power). But Virgin is the moment she finally drops the sun salutations and...
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ArtsCultureMusicOpinion

Phoebe Bridgers: Anyway, Don’t Be A Stranger

It’s about 9:08am on Monday, May 18th. I’m sitting in my graphic design class, and I get a text from...
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ArtsCultureFashionIndustry

Loving, Recycling, Desiring: Diesel’s Very Busy Season

CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

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Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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