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    Loving, Recycling, Desiring: Diesel’s Very Busy Season

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Loving, Recycling, Desiring: Diesel’s Very Busy Season

There’s a version of Diesel that lives in the cultural memory as a relic of Y2K excess with low-rise denim,...
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ArtsCultureEditor's PicksOpinion

Iain Reid’s Foe Review

Iain Reid’s Foe opens in a haze of surreal domestic dread. When Terrence, an uncomfortably familiar man in a suit,...
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ArtsCultureMusicOpinion

Phoebe Bridgers: Anyway, Don’t Be A Stranger

It’s about 9:08am on Monday, May 18th. I’m sitting in my graphic design class, and I get a text from my sister. She’s losing her mind. The day before, my sister and I had talked about these pop-up shows Phoebe Bridgers is doing and speculated where she might go, hoping...
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ArtsCultureSenior Collections

SCAD Fibers Open Studio 2026

You start each quarter by introducing yourself with your name and major. “Hi, I’m Ella Saltzman, and I’m a fibers...
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ArtsCultureOpinion

Together for Palestine: A Night for Artistic Activism

With over 64,000 Palestinians killed, nearly 1.9 million Palestinians displaced, and famine being spread throughout the Gaza Strip, the people...
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ArtsCultureMusicOp-EdOpinion

Lorde’s Virgin: The Album That Finally Stops Pretending

For a decade, Lorde has been circling the idea of sincerity. First, as a precocious teen dissecting the culture at large (Pure Heroine), then as a messy city girl (Melodrama), and later, as a beachside philosopher (Solar Power). But Virgin is the moment she finally drops the sun salutations and...
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ArtsCultureMusic

The Art of the Interview with Sylvie Simmons

Music journalist and performer Sylvie Simmons has seen it all. From interviewing legends like Michael Jackson and Johnny Cash to...
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ArtsCultureOp-EdOpinion

Berniechella

It’s one of the most observed and coveted events of the year. The Met Gala of festivals. That’s right, open...
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The Weight of the Inheritance: Grace Wales Bonner at Hermès

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Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

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Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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  • Loving, Recycling, Desiring: Diesel’s Very Busy Season
  • The Mac Miller Needle Drop
  • The Weight of the Inheritance: Grace Wales Bonner at Hermès
  • Iain Reid’s Foe Review
  • Leviticus and the Rise of the Queer Horror Genre

© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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