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Fashion

CultureFashionOp-EdOpinion

Make 2026 Ours Again

The 2016 renaissance isn’t happening because the culture was better back then. It’s happening because culture is stuck today. We’ve...
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FashionFashion Week

Polished and Predictable: Proenza Schouler FW26

Proenza Schouler was known as the New York City “it-girl” brand in the late 2000s and early 2010s, but what...
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EditorialFashionThe Go-Between Issue

 All In

Creative Direction by Ben Pulka Produced by Evan Skovronsky Photography by Cameron Emory Production Design by Iyerlie Feist Styling by Anna Jara Words by Miia Popovics, Elisabeth Edwards, & Benjamin Pulka Makeup by Ari Young Sang Makeup Assist by Lauren Paris Hair by Juliet Weinhold Hair Assist by Venus Evergreen ...
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CultureFashionOp-EdOpinion

How Skinny Are We Willing to Go?

There was a time, not even a year ago, when the majority of the fashion community swore against the revival...
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ArtsCultureSenior Collections

SCAD Fibers Open Studio 2026

You start each quarter by introducing yourself with your name and major. “Hi, I’m Ella Saltzman, and I’m a fibers...
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FashionFashion Week

Matières Fécales FW26: Revealing “The One Percent”

In a century blinded by the rich and powerful, what can fashion do about the one percent? Well, Matières Fécales Fall/Winter 2026 Ready-to-Wear collection, by Hannah Rose Dalton and Steven Raj Bhaskaran, namesakenly titled “The One Percent” stares the oligarchs right in their blinded eyes and forces a conversation, showing...
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EditorialFashionThe Go-Between Issue

Seams of Self

A silk gown drapes over a body, its folds cascading like water, admired for its elegance. But when skin gathers...
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FashionFashion Week

Rococo Realness: Sandy Liang FW26

With one look, Sandy Liang already had everyone wrapped around her finger with her uniquely fantastical designs. The brand’s most...
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Digital Beauty in the Hands of AI

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Boots the Dupe Down: The Frye Company and the Cost of Capitalism

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I, I, I, I Am . . . Disturbed

CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

CultureExclusiveFashionThe Go-Between Issue

More Than Just a Resale Rack

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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  • Calvin Klein: Simplifying Fashion
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  • Boots the Dupe Down: The Frye Company and the Cost of Capitalism

© 2025 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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