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ICE OUT: Fashioning Our Voices

America is moving backwards with the current administration and their active assault on minorities. Through this outrage, many figures in...
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Fashion

Un Halftime Inolvidable

Nonstop dancing, a real wedding, and a live orchestra—that’s a Benito Antonio Martínez Ocasio show. Benito, better known worldwide as...
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CultureMusicOpinion

Skipping Artistic Integrity and Shuffling Aesthetics: The Post-Capitalism Evolution of Album Covers

In an era where the line between art and commerce blurs, the music industry has found a new avenue for...
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ArtsCultureOpinion

Together for Palestine: A Night for Artistic Activism

With over 64,000 Palestinians killed, nearly 1.9 million Palestinians displaced, and famine being spread throughout the Gaza Strip, the people...
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CultureFashionOp-EdOpinion

Make 2026 Ours Again

The 2016 renaissance isn’t happening because the culture was better back then. It’s happening because culture is stuck today. We’ve...
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Culture

Last Call: The Death of El Rocko Lounge

I put on my turquoise snakeskin Savage X Fenty bra top, or was it a pink studded skirt? No, it...
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Fashion

2hollis and the Sanitization of Hyperpop

Just a few days ago, I found myself trying to explain 2hollis to a friend of mine who had never...
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ArtsCultureMusicOp-EdOpinion

Lorde’s Virgin: The Album That Finally Stops Pretending

For a decade, Lorde has been circling the idea of sincerity. First, as a precocious teen dissecting the culture at...
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I, I, I, I Am . . . Disturbed

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Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

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More Than Just a Resale Rack

CultureFashionIndustryOpinionThe Go-Between Issue

Where Have All the Youth Mags Gone?

FashionIndustry

Saks or Sacked?

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Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2025 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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