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Inclusivity

CultureFashion

Is the VS Collective the Bare Minimum?

In a long-overdue effort to rebrand and leave behind an era of sexy fashion shows, bejeweled bras, and Angels (yes,...
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CultureFashionOpinion

Cultural Accountability: Who’s “Really” Responsible?

The trend-chasing, fast fashion beast Urban Outfitters is no stranger to controversial headlines. From using tragedies such as the Holocaust...
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FashionQ&A

Chromat: Becca McCharen-Tran’s Fight for Inclusivity

There are no more excuses. A precedent has been set in the fashion world, leaving yesterday’s confining standards of beauty...
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CultureSCADStyle

Representation and Identity: A Talk with Sinéad Burke and Jessica Andrews

When writer and academic Sinéad Burke and fashion features editor at Teen Vogue Jessica Andrews strode across the stage and...
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Beauty

The Oppression of Complexion

Last year was the year of inclusivity with Fenty Beauty producing products to match deeper, darker skin tones and kick-starting...
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FashionIndustryOp-Ed

Dressing Unapologetically: The Way of the Modern Man

Those black sunglasses sat where they always do as Anna Wintour relayed her thoughts of Paris Fashion Week. Wintour mentioned designer John Galliano as he related to an inspiring idea—that the need for separate men’s and women’s catwalks was no longer necessary.
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Film & TV

Best-Seller ‘Crazy Rich Asians’ is Coming to the Big Screen

In the era of “new money,” Rich Kids of Instagram, and popular celebrity children, we suspect that Crazy Rich Asians...
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Op-Ed

In Exclusive-Obsessed Fashion, Inclusivity Finds a Foothold

Inclusivity isn’t the first thing that comes to mind when thinking of fashion. It may even be one of the...
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ArtsCultureFashionIndustry

Loving, Recycling, Desiring: Diesel’s Very Busy Season

CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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