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Leviticus and the Rise of the Queer Horror Genre

Horror is the genre of fear; the genre of the body in danger. Of spaces that turn hostile while the...
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BeautyEditorialThe Go-Between Issue

Illusions

Illusions are created every day. Through different mediums, we can bend the idea of what’s real and what’s not. Makeup...
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Events

Fibers Open Studio 2024

When I first stepped into Pepe hall I was overwhelmed by the creativity of the artwork that adorns the fibers...
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Contra/Diction is Nothing Short of Extra/Ordinary

Contra/Diction, Sanford Biggers’ solo exhibition at the SCAD Museum of Art, was just unveiled for 2021 deFine art. For over...
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ArtsCultureSenior Collections

SCAD Fibers Open Studio 2026

You start each quarter by introducing yourself with your name and major. “Hi, I’m Ella Saltzman, and I’m a fibers...
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EditorialExclusiveFashionSenior Collections

Behind the Seams: SCAD Senior Fashion 2025

Fashion is the way society sees you: Who you are, what you value, and what inspires you in the quickest...
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FashionIndustryQ&A

On Creative Intent with Hannah Harris at SCADstyle

I’ve known of Hannah Harris, creator of Brown Girl Hands and one of SCAD’s Valedictorians, since I was a freshman....
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Arts

“A Message From Venus”; a look at Christto and Andrew’s US Debut

In 2012, Christto and Andrew began joint forces to create powerful pieces for the world to see. Based in Qatar...
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Loving, Recycling, Desiring: Diesel’s Very Busy Season

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The Weight of the Inheritance: Grace Wales Bonner at Hermès

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Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

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I, I, I, I Am . . . Disturbed

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Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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