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Sandy Liang

FashionFashion Week

Rococo Realness: Sandy Liang FW26

With one look, Sandy Liang already had everyone wrapped around her finger with her uniquely fantastical designs. The brand’s most...
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EditorialFashion

Gingham? I Hardly Knew Him!

One thing I love about gingham is that it’ll never go away. Originating in Malaysia, it’s been around forever, but...
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CultureFashion

Sandy Liang Redefines Ultrafemininity

I’ve been dressing like a little girl–and I’m not the only one. No single catalyst has been attributed to the...
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FashionFashion Week

Adult Reflections of Youth: Sandy Liang FW25

Sandy Liang’s Fall/Winter 2025 collection, unveiled at New York Fashion Week last month, intertwines childhood nostalgia with sophisticated design, presenting...
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CultureFashion

The War on Women: Creative Director Replacements 

The fashion industry experienced a great loss this season. Sarah Burton stepped down as creative director behind Alexander McQueen after...
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FashionFashion Week

The Influence(rs) of New York Fashion Week

Who is Fashion Week really for? Let’s be honest; it was never for the public (but shoutout to runway live...
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I, I, I, I Am . . . Disturbed

CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

CultureExclusiveFashionThe Go-Between Issue

More Than Just a Resale Rack

CultureFashionIndustryOpinionThe Go-Between Issue

Where Have All the Youth Mags Gone?

FashionIndustry

Saks or Sacked?

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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  • I, I, I, I Am . . . Disturbed
  • NCT Without Mark: The Unimaginable Becomes Real
  • ICE OUT: Fashioning Our Voices
  • Devolution
  • Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

© 2025 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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