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CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

By the time Grace Wales Bonner walked into Hermès, the house had already said everything it needed to say. Véronique...
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CultureFilm & TVOpinion

Leviticus and the Rise of the Queer Horror Genre

Horror is the genre of fear; the genre of the body in danger. Of spaces that turn hostile while the...
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CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

Prada’s Spring/Summer season has shown us the use of controversial generative technology, aiding Prada’s marketing team in creating one of...
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CultureEditorialFashion

The Great Rotting

Outside the perimeter of my bedsheets, it feels like the world is rotting. My fiery halo of protection against the...
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ArtsCultureEditor's PicksOpinion

Iain Reid’s Foe Review

Iain Reid’s Foe opens in a haze of surreal domestic dread. When Terrence, an uncomfortably familiar man in a suit,...
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CultureEventsFashionFashion WeekOpinionSCADStyle

Calvin Klein: Simplifying Fashion

I found myself in a deep Calvin Klein archive rabbit hole after attending the SCAD style talk with Veronica Leoni,...
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CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

When Shanghai Fashion Week wrapped on April 1st, it closed one of the most globally ambitious editions in its history....
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CultureOpinion

The Collective Cringe of Being Reduced to a Girlfriend

Having a boyfriend isn’t embarrassing; being reduced to them is. The problem has never been having a boyfriend…the problem is...
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ArtsCultureFashionIndustry

Loving, Recycling, Desiring: Diesel’s Very Busy Season

BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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  • Loving, Recycling, Desiring: Diesel’s Very Busy Season
  • The Mac Miller Needle Drop
  • The Weight of the Inheritance: Grace Wales Bonner at Hermès
  • Iain Reid’s Foe Review
  • Leviticus and the Rise of the Queer Horror Genre

© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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