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Fashion Week

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Rising Talent: Adidas SS 2026 at ATLFW Originals

This month, I had the privilege of attending Atlanta Fashion Week and getting a front-row experience of the Adidas Spring/Summer...
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FashionFashion Week

Return to Base: Pierpaolo Piccioli Initiates a Recalibration of Faith

It was to a rare standing ovation from Anna Wintour on Saturday, October 4th, that Pierpaolo Piccioli delivered his debut...
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FashionFashion Week

Womanhood Untamed: Dilara Findikoglu SS26

According to Julia Fox, nobody is doing it like Dilara Findikoglu. The Turkish designer closed day four of London Fashion Week with a bang on September 22 with her Spring/Summer 2026 collection, titled ‘Cage of Innocence’. The collection explores freedom and power, ancestral trauma, and the good, bad, and ugly...
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FashionFashion Week

It’s Gucci, Fam(iglia)

Reporting on Demna Gvasalia’s debut for Gucci makes it impossible to not abandon my journalistic objectivity. I LOVE Demna. I...
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FashionFashion Week

DSquared2’s Revival of the Icons

Last week, during Milan Fashion Week, Dsquared2 stunned the crowd and the internet with a show that seamlessly blended past...
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FashionFashion Week

Thom Browne Closes the Feathered Curtain on NYFW

Thom Browne delivered a closing act like no other, wrapping one of the wildest weeks in New York Fashion Week history through an immersive runway experience that showed off their Fall 2025 collection with a touch of theatrical flair. The show took place in a dark space contrasted by avian...
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FashionFashion Week

Adult Reflections of Youth: Sandy Liang FW25

Sandy Liang’s Fall/Winter 2025 collection, unveiled at New York Fashion Week last month, intertwines childhood nostalgia with sophisticated design, presenting...
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FashionFashion Week

Rahul Mishra SS25: Finding Hope in the Dystopian 

Rahul Mishra entitled his breathtaking Spring/Summer 2025 Couture collection, “The Pale Blue Dot,” and I have to talk about its...
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ArtsCultureFashionIndustry

Loving, Recycling, Desiring: Diesel’s Very Busy Season

CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

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Digital Beauty in the Hands of AI

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Boots the Dupe Down: The Frye Company and the Cost of Capitalism

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I, I, I, I Am . . . Disturbed

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Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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