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Fashion

After The Ecstasy, The Agony: Schiaparelli SS26 Couture 

In our era of endless digital appetite, there are few remaining dependably excellent human indulgences: drunk cigarettes, post-recession synth-pop, and...
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ExclusiveFashionFashion WeekIndustryQ&A

Dalí Parton, Legacy, and Leaps of Faith: In Conversation With Daniel Roseberry

In Daniel Roseberry’s time at Schiaparelli, he has done something few designers have been able to accomplish as of late....
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FashionFashion WeekOp-Ed

A Tough Act to Follow: Why Couture Will Never be the Same

If you’re a chronically online fashion lover, chances are you’ve heard a little something about Paris’ most recent couture extravaganza....
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FashionFashion Week

Schiaparelli SS25: Minimalism vs. Modernity

Schiaparelli has wowed us all again with their newest couture collection. Daniel Roseberry, Creative Director of the Italian-owned luxury house,...
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FashionFashion Week

SS24 Couture: Schiaparellian Flips the Ambiguity of AI on its Head

Schiaparelli’s done it again. The celebrated fashion house, led by Daniel Roseberry, opened Paris Couture Week last Monday with a...
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FashionOpinion

Schiaparelli 2023: Art or Animal Abuse?

Paris Haute Couture Week started off with a bang this Monday with the Schiaparelli show in the Petit Palais. Headed...
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I, I, I, I Am . . . Disturbed

CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

CultureExclusiveFashionThe Go-Between Issue

More Than Just a Resale Rack

CultureFashionIndustryOpinionThe Go-Between Issue

Where Have All the Youth Mags Gone?

FashionIndustry

Saks or Sacked?

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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  • Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

© 2025 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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