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Menswear

FashionFashion Week

This Isn’t Pharrell’s First Rodeo: Louis Vuitton Fall 2024 Menswear Review

For someone who’s never been a huge Louis Vuitton fan, I was absolutely blown away at the Fall 2024 Menswear...
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Fashion

Could ERL be the Next Face of American Menswear?

ERL, the new California-based menswear brand designed by Eli Russell Linnetz, is making waves on social media. The most recent...
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EditorialFashion

Take a Walk on the Classy Side

With modern influences like Blondes McCoy and Luka Sabbat the emergence of high fashion in skate and music culture is...
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CultureFashion

Undressing Authenticity: The Work and Wardrobe of William Harris

As a Sophomore Ad major at the Savannah College of Art and Design, William Harris is recognized for his eccentric films paired with esoteric wardrobe.
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FashionOpinion

Gucci FW 2023: A Minimalist Retrospective

We can all admit one thing. Gucci had quite the year. From its viral collaborations with Adidas, Dickies, and Harry...
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EditorialFashion

Act Like a Man

Your monarchs wore ruffles. Everyone bowed, called them kings. Your rulers wore silk. No one dared say a thing. Rosy...
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Opinion

Fashion’s Evolution and the Journey of Masculinity

Masculinity is a social construct that has shaped the history of what it means to be a man. The idea...
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FashionIndustryOp-Ed

Dressing Unapologetically: The Way of the Modern Man

Those black sunglasses sat where they always do as Anna Wintour relayed her thoughts of Paris Fashion Week. Wintour mentioned designer John Galliano as he related to an inspiring idea—that the need for separate men’s and women’s catwalks was no longer necessary.
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Prada & Versace: An Italian Renaissance

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Behind the Seams: SCAD Senior Fashion 2025

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SCAD Style 2025: Finding Your Family with Willy Chavarria

ExclusiveFashionIndustryQ&A

Progress Over Perfection: In Conversation with Sara Jane Ho

FashionIndustry

A Short History of New York Fashion Week

© 2025 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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