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Fashion

FashionFashion Week

Louise Trotter’s Bottega Debut Needed To Be The Best—And It Was

No one was expecting Louise Trotter to shake Milan. Her quiet appointment at Bottega Veneta didn’t come with the usual...
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FashionFashion Week

The Egg Hunt: Diesel SS26 Ready to Wear

Glenn Martens, Diesel’s creative director, gave us an early Easter. Who knew an egg hunt for a runway would have...
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CultureFashion

What the Tunnel Told Us About the WNBA Playoffs

As the 2025 WNBA season winds down and a new champion waits to be crowned, one thing’s clear: this year’s been a thrill from start to finish. From the two pink buzz-cut studs (who call themselves the StudBudz) livestreaming an unfiltered look inside the locker room, to the sudden resurgence...
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ExclusiveFashionFashion WeekIndustry

Rising Talent: Adidas SS 2026 at ATLFW Originals

This month, I had the privilege of attending Atlanta Fashion Week and getting a front-row experience of the Adidas Spring/Summer...
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FashionFashion Week

Return to Base: Pierpaolo Piccioli Initiates a Recalibration of Faith

It was to a rare standing ovation from Anna Wintour on Saturday, October 4th, that Pierpaolo Piccioli delivered his debut...
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FashionFashion Week

Womanhood Untamed: Dilara Findikoglu SS26

According to Julia Fox, nobody is doing it like Dilara Findikoglu. The Turkish designer closed day four of London Fashion Week with a bang on September 22 with her Spring/Summer 2026 collection, titled ‘Cage of Innocence’. The collection explores freedom and power, ancestral trauma, and the good, bad, and ugly...
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FashionFilm & TVIndustry

Clueless or Genius: Costuming a Legacy with Mona May

Did you know that Paul Rudd wore his own jeans in the movie “Clueless”? Neither did I, until I attended...
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EditorialFashionThe Coalescence Issue

Manufactured

Where the boundary between performer and observer blur, and both are left exposed. The illusion is not just hers because...
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BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

CultureFashionFashion WeekIndustryOp-Ed

Shanghai’s Week Is Over. The Fashion World Should Be Paying Attention.

CultureExclusiveFashionThe Go-Between Issue

More Than Just a Resale Rack

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

Recent Posts

  • Under The Blinding Lights: Saint Laurent FW2027
  • The Power of the People: Matieres Fecales SS27
  • Run Free
  • American Gospel: Ethel Cain’s Two-Act Tragedy, One Year Later
  • Filtered Illusions 

© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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