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Fashion

FashionFashion Week

 Mid-Century or Just Mid? Louis Vuitton Mens FW26

I found the Louis Vuitton Mens Fall/Winter 2026 show to be more difficult than I had anticipated. Was it good?...
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FashionFashion Week

Assless Ski Pants are In and I Need Them: Dsquared² Fall 26

This past week, my close personal friend, Hudson Williams opened the Dsquared² Fall 2026 Ready-to-Wear show in Milan. Watching how...
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EditorialFashion

Imperfection

No one is perfect, and we’re not meant to be. We all move through life with cracks; some sudden, some slow, some that seem to return again and again. But from those fractures, something tender begins to grow, like flowers rising through fractured earth. In that quiet bloom, vulnerability becomes...
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FashionIndustry

Revealing Victoria’s Big Secret

After a four-year cancellation, the Victoria’s Secret Fashion Show is back, and fans are eagerly embracing this much-anticipated “rebirth.” The...
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FashionFashion Week

Unacceptable Experimentation: Duran Lantink for JPG SS26

In a never-ending carousel of creative director debuts, it can be hard to stand out from the crowd. We are...
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Fashion

Money Talks Planets Walk: Chanel SS26

When Jonathan Anderson arrived at Dior, as creative director of both men’s and women’s (yes, the first time that’s happened at the house), it made big noise—and rightfully so. He stepped in with the swagger of a designer who had already done heavy lifting at Loewe. Now he is in...
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Fashion

2hollis and the Sanitization of Hyperpop

Just a few days ago, I found myself trying to explain 2hollis to a friend of mine who had never...
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Fashion

Diane Keaton: A Legacy of Philanthropy & Fashion

I had just woken up at the ripe time of 11 a.m. Ready for my morning scroll session, it seemed...
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ArtsCultureFashionIndustry

Loving, Recycling, Desiring: Diesel’s Very Busy Season

CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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