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Fashion

FashionFashion Week

Rahul Mishra SS25: Finding Hope in the Dystopian 

Rahul Mishra entitled his breathtaking Spring/Summer 2025 Couture collection, “The Pale Blue Dot,” and I have to talk about its...
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FashionFashion Week

Schiaparelli SS25: Minimalism vs. Modernity

Schiaparelli has wowed us all again with their newest couture collection. Daniel Roseberry, Creative Director of the Italian-owned luxury house,...
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EditorialFashion

Alaska

When returning home, nothing is the same. I’ve been away so long, the person I once was changed, molted. The air is different. My clothes are moth-eaten. That familiar feeling is gone. And it’s so cold, it might as well be Alaska.  That feeling has compacted inside me, like hard...
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ExclusiveFashionIndustryQ&A

Progress Over Perfection: In Conversation with Sara Jane Ho

Do you truly know how to eat a banana? I thought I did, but oh, was I wrong. Luckily, I...
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EventsFashion

SCAD Fibers Open Studio 2025

I have so much love for the Fibers Open Studio. It really might be the day I most look forward...
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FashionFashion Week

A Web of Resistance: Willy Chavarria AW25

When the world turns upside down, artists rise. There’s something to be said for creative communities in times of desperation, isolation, and despair. Willy Chavarria’s Autumn/Winter 2025 collection, Tarantula, proves this, and more.  Fashion is one of many industries currently being infiltrated by far-right propaganda. While some luxury houses are...
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CultureFashion

Thom Browne & Doechii’s Uniform For Nonconformity

Breaking records and taking names. Doechii’s “Alligator Bites Never Heal” broke the mold of the standard album cycle and format,...
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FashionIndustry

A Short History of New York Fashion Week

The fashion community has geared up for New York Fashion Week’s Fall/Winter 2025 shows. From Feb. 6 to Feb. 11,...
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ArtsCultureFashionIndustry

Loving, Recycling, Desiring: Diesel’s Very Busy Season

CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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