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Fashion Week

FashionFashion WeekIndustry

Indulgent Irony: 40 Years of Moschino

After the departure of Jeremy Scott, Moschino tasked four stylists to design ten looks for their Spring/Summer 2024 show to...
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CultureFashionFashion Week

A Critique on Critique

A numbered paddle, a loose Instagram comment, a hurtled tomato, a stone lottery. The weapon of judgment is Sunnei’s new...
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FashionFashion Week

Prada SS24: A Sticky Situation

Bring out the Borax because slime is back! During Milan Fashion Week, Prada (led by Raf Simons) posed the bamboozling question, “What if we put a giant slime curtain in the middle of the runway?”. No, I’m not joking. Set in the utilitarian and contemporary gallery/building complex, Foundazione Prada, models...
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FashionFashion Week

The Influence(rs) of New York Fashion Week

Who is Fashion Week really for? Let’s be honest; it was never for the public (but shoutout to runway live...
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FashionFashion Week

Legacy and Longevity: Peter Do’s Helmut Lang Debut

On Friday, the 8th of September, 2023, Peter Do made his debut as the new creative director of Helmut Lang....
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FashionFashion Week

Reed for Ricci: A Bold New Direction

Since 1932, Nina Ricci has been a lasting house in women’s couture, celebrating timeless femininity throughout the decades. Nearly one hundred years later, the newly appointed Creative Director Harris Reed is leading the brand into a fresh new era. Reed strives to champion fluidity and creativity, as seen in his...
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FashionFashion Week

Diesel FW23: A Play on Their D

In the midst of Milan fashion Week, Glenn Martens shocked the public with his sexy but sultry collection for the...
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FashionFashion Week

Daniel Lee’s Contemporary Revision of British Heritage

Closing out London Fashion Week’s Fall/Winter 2023 season was the long awaited debut of Daniel Lee for Burberry. Lee’s approach...
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Loving, Recycling, Desiring: Diesel’s Very Busy Season

CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

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Digital Beauty in the Hands of AI

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Boots the Dupe Down: The Frye Company and the Cost of Capitalism

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I, I, I, I Am . . . Disturbed

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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