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Fashion Week

FashionFashion Week

Beauty in Movement: Ferragamo SS25

It is no surprise that ballet has become a common theme within different designers’ collections throughout the past couple of...
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FashionFashion Week

Not a girl, Not yet a woman: Ashley Williams S/S 2025 

“I’m just a girl”, while maybe one of the internet’s most annoying excuses for stupidity, really struck British fashion designer...
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FashionFashion Week

Legacies and Lace: Valentino SS25

The world’s stage belonged to Alessandro Michele as the curtain rose on Pavillon des Folies. Lights refracted across stretches of shattered mirrors as guests watched with bated breath in anticipation for the designer’s Valentino debut. Details had been fairly hush-hush prior to the show last Sunday, but if you (like...
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FashionFashion Week

Narrative Death: Alexander McQueen S/S 2025

On Saturday, Sept. 28, Seán McGirr unveiled his sophomore Ready-to-Wear collection with Alexander McQueen. 46 looks “evoking the ephemerality of...
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FashionFashion Week

Maria Grazia Chiuri Is Going to Be Ok

Surprise! Maria Grazia Chiuri has dropped yet another uber-polarizing Dior collection. The creative director, who’s helmed the house since 2016,...
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FashionFashion Week

Underwhelmingly Overwhelming: McQueen’s New Look

Like the rest of the fashion world, I have been anxiously awaiting the debut of Sean McGirr as creative director for Alexander McQueen. As a die-hard McQueen and Sarah Burton fan, I have not been welcoming McGirr with open arms. He has some pretty big shoes to fill. The McQueen...
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FashionFashion Week

A Triptych: Simone Rocha AW24

A Triptych: Simone Rocha AW24 Into the world of the bows, puffer jackets, and coquette dreamlike elements, Simone Rocha sets...
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Pink and red title graphic reading "The Lexicalization of Auto: Acne Studios FW24"
Fashion Week

The Lexicalization of Auto: Acne Studios FW24

Staged around two giant thrones made out of recycled tires sculpted by Villu Jaanisoo, Acne Studios’ Fall/Winter 2024 show certainly...
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Loving, Recycling, Desiring: Diesel’s Very Busy Season

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The Weight of the Inheritance: Grace Wales Bonner at Hermès

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Digital Beauty in the Hands of AI

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Boots the Dupe Down: The Frye Company and the Cost of Capitalism

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I, I, I, I Am . . . Disturbed

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Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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