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Opinion

CultureOpinion

The Barbie That Doesn’t Stare Back

My basement is filled with a collection of dolls: Barbies, American Girl Dolls, and Princess figurines each representing an idea...
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CultureFilm & TVOpinion

Tilly Norwood: The “Actress” Who Can’t Say No

If you’ve been online recently, you’ve probably heard a whisper or two about the new hot actress in town. Her...
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CultureMusicOpinion

Skipping Artistic Integrity and Shuffling Aesthetics: The Post-Capitalism Evolution of Album Covers

In an era where the line between art and commerce blurs, the music industry has found a new avenue for profit: the ever-evolving album cover. Once a static representation of an artist’s vision, album covers have become dynamic commodities, subject to change and re-release, often at the expense of the...
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CultureOpinion

Performative Son or Thought Daughter? 

The boys are gathering in parks with matcha lattes in their hands and cursory feminist literature in their totes. The...
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CultureOpinion

Democracy Dies Behind a Paywall

When you open The Washington Post, the subline under their title reads “Democracy Dies in Darkness.” A powerful statement. If...
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CultureFashionOpinion

Investigating H&M: Dropping the Niceties

At London Fashion Week, H&M promoted a fashion show that fused fast fashion with luxury aesthetics. The cognitive dissonance was palpable. Chief Creative Officer Jörgen Andersson told Glossy, “luxury is for 1% of the world. We work for the other 99. It should feel like you are getting $1 million of inspiration and paying...
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CultureFashionOp-EdOpinionTech

The Ultra Unobtainable Standard

How much love do you truly have for your favorite brands, and are you willing to stick by them? Many...
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CultureOp-EdOpinion

The Ethical Dilemma of  Being “Chronically Offline”

Labubu. Dubai Chocolate. Body is Tea. Slay. Queen. These internet memes and casual slang circle around in my head as signs that...
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ArtsCultureFashionIndustry

Loving, Recycling, Desiring: Diesel’s Very Busy Season

CultureFashionFashion WeekIndustry

The Weight of the Inheritance: Grace Wales Bonner at Hermès

BeautyCultureIndustryWomen

Digital Beauty in the Hands of AI

CultureEditor's PicksFashionIndustryOpinion

Boots the Dupe Down: The Frye Company and the Cost of Capitalism

CultureFashionIndustryIssuesNewsOpinion

I, I, I, I Am . . . Disturbed

About Us

Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2026 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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