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Fashion Week

FashionFashion Week

Retrofuturism on the River: Pierre Cardin SS25

Pierre Cardin is and always has been a retrofuturist’s paradise. This season’s show, entitled “Journey to the Future” was no...
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FashionFashion Week

Sex on the Dining Table: Balenciaga SS25

Welcome to the dinner of peak consumerism, hope you’re hungry. Whilst pop culture icons and celebrities alike: Devon Lee Carlson,...
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FashionFashion Week

Beauty in Movement: Ferragamo SS25

It is no surprise that ballet has become a common theme within different designers’ collections throughout the past couple of years. However, Maximillian Davis’s approach to ballet-core in Ferragamo’s Spring/Summer 2025 collection has made it stand out among the rest.  Davis’s runway showcased ballet-coded outerwear with a twist. Form-fitting, cashmere...
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FashionFashion Week

Not a girl, Not yet a woman: Ashley Williams S/S 2025 

“I’m just a girl”, while maybe one of the internet’s most annoying excuses for stupidity, really struck British fashion designer...
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FashionFashion Week

Legacies and Lace: Valentino SS25

The world’s stage belonged to Alessandro Michele as the curtain rose on Pavillon des Folies. Lights refracted across stretches of...
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FashionFashion Week

Narrative Death: Alexander McQueen S/S 2025

On Saturday, Sept. 28, Seán McGirr unveiled his sophomore Ready-to-Wear collection with Alexander McQueen. 46 looks “evoking the ephemerality of the banshee,” according to a statement on the brand’s Instagram account. Models paraded quickly in single file down a long, black runway with stoney faces accentuated by kohl-like graphic eyeliner...
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FashionFashion Week

Maria Grazia Chiuri Is Going to Be Ok

Surprise! Maria Grazia Chiuri has dropped yet another uber-polarizing Dior collection. The creative director, who’s helmed the house since 2016,...
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FashionFashion Week

Underwhelmingly Overwhelming: McQueen’s New Look

Like the rest of the fashion world, I have been anxiously awaiting the debut of Sean McGirr as creative director...
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Saks or Sacked?

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The Ultra Unobtainable Standard

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Founded in 2014, The Manor is SCAD’s official fashion publication highlighting and showcasing the talents of fashion’s future creatives attending one of the world’s leading universities for creative careers.

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© 2025 (SCAD) Savannah College of Art and Design All editorial content is decided by student editors. Opinions expressed in The Manor are not necessarily those of the college. No part of The Manor may be reproduced in any form without written permission from the publisher. All rights reserved.
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